The Art of Becoming

An exploration of movement, words, and the quiet spaces in between.

Enter

Step in slowly. This is a space to breathe before you look — a studio built around three ways of listening to what is becoming.

01
Movement

Where the body speaks before the mind finds words.

02
Words

Poetry and prose from the quiet processes within.

03
Visuals

Stillness, light, and natural phenomena, held in a frame.

Currently Crafting

An interactive multimedia journey through the eight seasons of inner growth.

Discover Sichtbar  →
About — The Essence

I believe in the power of transformational spaces.

Portrait of Peggy Kierstan

Where the written word fades, and movement takes over.

My work exists at the intersections where we meet our true selves: between the quiet of nature and the dynamics of dance, between the precision of words and the emotional depth of music.

Guided by a profound fascination with the human psyche, the anatomy of life, and the subtle processes of change, I explore those moments where something matures within us long before it becomes visible.

In everything I create — whether through visual concepts, poetry, multisensory media projects, or movement — it is never about perfection. It is about uncovering layers. It is about holding space for what often remains unspoken.

The Art of Becoming is my digital studio: a sanctuary for aesthetics, resonance, and the quiet yet unstoppable process of growth.

Currently Crafting

SICHTBAR

Visible — an interactive journey

Eight seasons of inner growth, told through interactive multimedia: words, movement, and image, tracing what matures within us long before it becomes visible.

The Eight Seasons

A cycle, not a straight line

I
Dormancy
II
Stirring
III
Unfolding
IV
Reaching
V
Fullness
VI
Ripening
VII
Letting Go
VIII
Becoming
Fragments of the Eight Seasons
Hosta leaves
Aquilegia leaves
Silver leaf

Be there when it becomes visible

Leave your email to hear first when Sichtbar opens.

Portraits — Graphite
Graphite portrait, current self, August 26
current self, August 26
Graphite portrait of a boy
a boy's genuine smile
Graphite portrait of a woman with curly hair and a flower
like rain on a summer day
Graphite portrait of a couple
held close, held safe
Graphite close-up portrait
somewhere between waking and dream
Graphite portrait of two faces in profile
a friendship nothing could change
Graphite portrait of a young man
and the river floats on

Some pieces in this series are studies drawn from photographs.

More pieces from this series, and further series, coming soon.

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The Art of Becoming

A story of Intimacy, Disappointment and Growing

This is not told in a straight line. It moves the way memory does — between a verse that still carries the feeling raw, a line of prose written with the distance to understand it, and an image that simply says what neither could. The poems are the truth as it felt. The prose is the truth as it looks now. The photographs are what was quietly, ordinarily true outside of me the whole time.

Chapter One
Intimacy

I did not go looking for this. It found me at the edge of a week I was still surviving, hands not quite steady yet, voice still finding its way back to me.

He wrote first. Then again the next morning, and the one after that, until the mornings started to expect it. Small things — a thought, a joke, the shape of his day — sent across like something ordinary, except it wasn't. It was the first door that had opened in a long time, and I let it.

I did not fall for a grand gesture. I fell for the accumulation of small ones — the voice notes at the end of a day, the way he asked and then actually waited for the answer. For a while, that was enough to make the room feel safe again.

A single lit window glowing warm in the dark night Download this piece ↓
You are there
I met you by mistake
At the edge of my worst week
My hands were still shaking
From the years I couldn't speak

You send me little messages
Like bread crumbs in the day
And your voice notes in the evening
Make the grey steps move away

You stay in the small hours
You stay in the plain light
You tell me your whole day
Like it might help me hold tight

You are there
In a thousand small replies
You are there
And the hard part leaves my eyes
Oh, you make the room feel safe
Oh, you make my future rise
You are there
And I could see us in the light

You let me take my time
With the bruises and the fear
Never asking for a curtain
Never pulling me too near

You share your coffee stains
Your train rides and your plans
And the way you left the window
Open just for better air

You say, "Tell me what you need"
Then you wait, patient, still
And I found my own voice back
In the quiet you would fill

We are only learning
How to lean and not fall through
Two soft hearts, half-healed
Finding out what kindness can do

Nothing loud between us
Just a hand and then a hand
And somehow I feel lighter
When you say you'd understand

You are there, you are there
In a thousand small replies
You are there, you are there
And the hard part left my eyes
Oh, you make the room feel safe
Oh, you make my future rise
You are there, you are there
And I can see us in the light

Maybe that's how hope begins
Not a fire, but a spark
Not a grand and perfect promise
Just your name inside my dark

And then, slowly, the mornings stopped expecting anything.

It didn't end. It just thinned — a day without a word, then two, explained away by stress, by a lot going on right now. I told myself that was all it was. I made room for it, the way you make room for someone you trust.

I didn't know yet that the silence wasn't going to fill back in.

Chapter Two
Disappointment

There is a particular kind of waiting that asks nothing of the other person and everything of you. I did not want to be the one demanding explanations, so I gave him the space he seemed to need — and tried, underneath that, not to disappear along with it.

What I did not expect was how much I would still be myself in the waiting. I still laughed at my own small messes. I still liked my own company on a Sunday morning. Whatever was happening with him, it turned out, could not undo what I had already rebuilt in myself.

Sunflower in golden evening light Download this piece ↓
Sunday in bloom
I wore my face like daylight
No mask for the door
I liked the way my shoulders felt
When I let them be for sure

I laughed at the little messes
The crumbs on the floor
If this is how I came here
I don't need much more

And I keep faith in the turning
In the slow good hum
If the world is still learning
Then honey, so am I

I'm totally myself
And I'm happy with that
Totally myself
And I don't look back
Everything is right
In its own sweet time
Everything is right
When your hand fits mine

I set a plate for two
And left your light on low
Not because I'm worried
Just because I know

You'll come back when you're ready
When your heart says go
The road can hold you gently
It can let you grow

And I keep faith in the turning
In the slow good hum
If the world is still learning
Then honey, so am I

I'm totally myself
And I'm happy with that
Totally myself
And I don't look back
Everything is right
In its own sweet time
Everything is right
When your hand fits mine

So take your time, my dear
The sky is open wide
Nothing here is broken
That can't be mended right
I know you're okay
Even when you roam
You'll be back as soon as
You're ready for home

I understand it differently now than I did then.

It was never only stress. Somewhere behind the version of him I'd gotten to know — the one who asked good questions and showed up in small, steady ways — there was an older pain he hadn't finished healing. And when it came down to being honest about that, or quietly stepping back, he chose the easier road. Not the cruel one. Just the easier one.

What stays with me isn't grief for him. It's something closer to mourning a glimpse — a few months where I could see, clearly, what it might feel like to not be alone in this. To be met. That future didn't disappear because it was false. It disappeared because he couldn't follow through on it yet. That's a different kind of loss, and I'm still allowed to feel it.

Chapter Three
Growing

Loss like this doesn't hand you closure. It hands you clarity, if you're willing to sit with it long enough.

I know, now, with a precision I didn't have before, what I need in a connection — not the performance of steadiness, but the real thing. I know how deeply I'm capable of feeling, and I no longer see that as something to apologize for. It was never too much. It just met someone who wasn't ready to hold it yet.

Open window with rain on the glass and a curtain caught in the breeze Download this piece ↓
Open window
I heard it clearly
through the rain on my coat
what I wanted, I know now
wasn't built to hold

Your name in my hands
like a glass I can't keep
I set it down softly
let the water leave

And the sky didn't break me
it just showed me the bend
I can stand in the open
I can start again

I'm making room
for the right one
Till then I'll be
my own best company

I'll drink my tea slow
by the window in light
leave the old hurt folded
out of sight tonight

If you ever come near
with a kinder kind of grace
you'll find a warm, empty space
right beside my face

And the sky didn't break me
it just showed me the bend
I can stand in the open
I can start again

I'm making room
for the right one
Till then I'll be
my own best company

I want the sun on my skin
and the door left unlocked
I want to know my own heart
when the world goes dark
No more forcing the fit
no more holding my breath
I can be enough now
I can be my best

And when you arrive
if you arrive
you'll meet a woman
already alive

Openness was only the beginning of it. The window stayed open longer than I expected — through weeks that didn't ask anything of me, through a kind of quiet I had to learn not to fill.

And somewhere in that quiet, the ache changed shape. It stopped being something I was managing and became, simply, something that had passed through. I noticed one morning that I wasn't waiting by the window anymore. I was just standing in my own house, steady, in it.

A single cup of tea steaming in warm afternoon light Download this piece ↓
Quiet hands
You left a cup by the sink
Like you'd come back for it
I washed it slow
Then I let it sit

I wore your silence
Like a second skin
Now I know better
Than to fold it in

I don't chase the door
When it's already closed
I can feel my name
In the things I chose

I stand here now
With quiet hands
I know my heart
I know my plans
I'll let you go
Let the ache land
The right one comes
With steady hands

I want a man
Who meets my eyes
Who stays when life
Gets unpolished and hard

Warm in the room
Deep in the soul
Grounded and kind
And easy to hold

He'll love me clean
Not for a show
Just for the way
We both move slow

I don't need a storm
To prove it's real
I need a safe place
I can breathe and feel

I stand here now
With quiet hands
I know my heart
I know my plans
I'll let you go
Let the ache land
The right one comes
With steady hands

So I keep my house
In the light I like
I keep my days
In a straight soft line

If love is true
It will know my door
It will know my pace
And ask for more

Just for love
Held in the calm

This is where the story actually sets itself down — not at the window, still open and hoping, but here: standing in my own house, hands quiet, nothing left to chase.

I know now, with a clarity his silence could never have given me any other way, exactly what I'm not willing to go without again — someone who stays when it gets unpolished, who meets me plainly, who doesn't need a storm to prove it's real. I'm not closed. I'm just no longer available to anything less than steady.

If it comes, it will know my door.